Motherhood Unveiled
to Mar 3

Motherhood Unveiled

  • Stitches and Pics ATTN: Stephanie Shively (map)
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Motherhood Unveiled

Curated by Stephanie Shively

"Motherhood Unveiled" presents images that represent “mom” in an all encompassing manner- the good, the bad, the funny, the gross, the heartbreaking, and the triumphant sides of motherhood.

Featuring work by Sarah Ann Austin, Sarah Boccolucci, Marisa Chafetz, Francesca Cesari, Michelle Lee Delgado, Deanna Dikeman, Kristin Dillon, Amanda Driggers, Eva Gjaltema, Annie Hodgkins, Megan Hosmer, Judi Iranyi, Megan Jacobs, Danielle Khoury, Isabel Kiesewetter, Victoria Maidhof, Lily Mayfield, Lindsay McCarty, June Sanders, Annick Sjobakken, Ellen Skoro, Shannon Smith, Vivien Stembridge, Dana Stirling, Alyssa Willey, Tara Wray, and Taylor Yocom

"Motherhood Unveiled" is an online exhibition, as well as an physical exhibition at Stephanie's gallery, Stitches and Pics, in Sackets Harbor, NY.



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Postcard Salon, an exhibition experiment
to Apr 21

Postcard Salon, an exhibition experiment

Inspired by alternative exhibition formats, possibilities of the gallery space and our flier table that gets a lot of love - our first group exhibition of 2018 will be a ‘Petersburger Hängung’ of postcards, presented on multiple tables throughout the gallery.

To all artists working with photography, video and any lens based or related media, we are providing the opportunity to be part of this experimental exhibition.

Entries close: Wednesday 31st January 2018
Vernissage: Friday 2nd March 2018
Exhibition: Saturday 3rd March 2018 - Saturday 21st April 2018

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Made in Berlin
to Sep 16

Made in Berlin

I will show a selection of photocollages from my series 'Berlin: Collages'

@ Made in Berlin

Group show during Berlin Art Week


For the first time I will present them as large format prints.

Come am have a look for yourselves!

Vernissage: Saturday September 2nd 18:00- 24:00

Finissage: Sunday September 16th 18:00- 24:00



Toscana Halle

Neumagener Strasse 25

13088 Berlin-Weissensee


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Wiesbadener Fototage
to Sep 10

Wiesbadener Fototage

My work 'Sehnzucht:The Remix' is selected for the '10. Wiesbadener Fototage'.

The work will be shown in the 'Frauenmuseum' in Wiesbaden.

Die 10. Wiesbadener Fototage vom 26.8. bis 10.9.2017

Thema der Wiesbadener Fototage 2017


Die eingereichten fotografischen Arbeiten sollen die Gedanken der Fotografen sichtbar machen und Einblicke in ihre Lebenswelten und Themen mit der jeweils eigenen Bildsprache geben. Die Herausforderung besteht darin, Gedankenwelten, innere Bilder oder biographische Elemente dem Betrachter nahe zu bringen.


Festivalbüro - Wiesbadener Fototage

Reinhard Berg - Herderstr.22

D 65185 Wiesbaden

phon: 0611 300429

mobil: 0173 3014770


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Kontrapunkt @ 48st Neuköln
to Jun 25

Kontrapunkt @ 48st Neuköln

Texture in the realm of shadows

Groupshow 'Kontrapunkt' for the '48-h-Neukölln' festival from the 23rd untill the 25th of June 2017 in Berlin

Ana Bathe | Peter Ehrentraut | Aino Onia | Eva Gjaltema | Ivano Pellechia | Doreen Trittel

Originating from personal shadows, the artist group “Kontrapunkt” steers the view upon socially and politically relevant shadows. In the ambient light they illuminate texture within these shades. “Kontrapunkt” consists of six artists from different countries with their own experiences and means of expression: photography, installation, painting and words. The artists hit their particular gloomy roads and venture boldly and curiously into darkness. Thereby the artists’ different methods create a transition and elevate these shadows into the spotlight.


Das Labor, Fuldastr. 56, 12043 Berlin

Opening Times:
Fr 19 - 23 Uhr | Sa 14 - 22 Uhr | So 14 - 19 Uhr

I will sell a limited edition of 30 from 3 different poster motives for €75 only!

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Solo Show 'Famylje', Berlin
to Aug 26

Solo Show 'Famylje', Berlin

The family of the Dutch photographer Eva Gjaltema comes from the Westerkwartier,
a rural area on the border between the Dutch provinces of Groningen
and Friesland, where they have been active for generations in agriculture and
raising livestock. In 2004, shortly after the death of her father, Gjaltema began to
record the lives of her grandparents, in order to preserve the family’s history,
but also to show a way of life that was dying. Using various techniques and
cameras, she expresses feelings of love, sorrow, anger and powerlessness.
For this she draws on her own images, but also documents and photographs
from the family archive and the new owners of the land. The result is a dialogue
between generations, and an ode to a way of life symbolic of the whole
countryside of the Northern Netherlands.

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